Did a post for BIO ; it was a last minute, I know what I’m saying but not sure if what I meant to say came through.
And I just read that Wendy Wasserstein died. She spoke for a certain type of woman from my generation better than anybody. I began life in training to be that woman and along the way turned into me, who speaks for no generation. Some of her plays were among the finest that I have ever seen. If it weren’t almost one in the morning I would call my sister. But no calls after nine!Isn’t it romantic was my personal favorite Wendy Wasserstein play. Saw it with my parents and sister. After it was over we all just looked at each other and began laughing. It was my life story. I’m going to be putting in the entire New York Times article, but first two great quotes:
In 1998, seeking to help instill her love for theater in a new generation of New Yorkers, she personally instigated a program to bring smart, underprivileged students from New York’s public high schools to the theater. In an essay about the program for The New York Times, she wrote: “As far as I’m concerned, every New Yorker is born with the inalienable right to ride the D train, shout ‘Hey, lady!’ with indignation and grow up going regularly to the theater. After all, if a city is fortunate enough to house an entire theater district, shouldn’t access to the stage life within it be what makes coming of age in New York different from any other American city?”
That sums up what New York should be about: The next quote is a line from Isn’t it Romantic
“No matter how lonely you get or how many birth announcements you receive, the trick is not to get frightened. There’s nothing wrong with being alone.”
I was trying to break up with Zachary when we saw that play, and well, read it. Don’t know if her plays will stand the test of time; do know that her life and death means much to me.
Wendy Wasserstein was a child of privilege. Unlike me she wasn’t an academic misfit but Ivy educated; and in the same Yale grad program that included Meryl Streep, Kevin Kline, and many many other brilliant actors.
Unlike me she wasn’t still questioning her place in the world all these years later. Maybe that does keep me young. I had problems with The Sisters Rosenweig because they felt so middle aged and worldly; well, I can get into the worldly part. Though it raised many interesting questions, it left me cold. It was the only one of her plays that felt superficial to me; probably because it didn’t capture me, me, me!!!!!!!!!! Read more…


